The
Peony
Pavilion is a Ming Dynasty masterpiece of Chinese opera by the great
Chinese writer Tang Xianzu (1550-1616). Far beyond the erotic story
of a teenage ghost and her dream lover, the play is an epic spectacle
that rolls out like a giant Chinese scroll painting, encapsulating all
corners of Ming society through its cast of more than one hundred characters,
among them Jin invaders, bandits, Taoist nuns, scholars and prostitutes.
Over
the next few months, we will continue to provide updated information
about different aspects of the Lincoln Center Festival 99 production
of The Peony Pavilion, on this website, such as set design, costume
design, production notes and more.
Who
gives meaning to a work of art? The complete production of The Peony
Pavilion is a once-in-a-lifetime event. Besides its place in operatic
history, this production is notable for the controversy that surrounded
its presentation last year. Why should a 16th century opera have created
such a stir? Possibly because the issues at stake are not limited to
China, but resonate throughout the international community.